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Lisa Tran
February 4, 2015
In regards to changing subjects once the school year has started: I've done a bit of research and it appears as though the deadline to change from one subject to another is determined by your individual school. Some schools have a deadline of only a couple weeks whereas others stretch it out a little further. Ask your school for exact dates if this is something you’re considering!
Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps.
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NOTE: Although this blog is targeted at Literature, it's also applicable if you're studying English or EAL as context is an important criteria in all three subjects!
Literature is probably one of your hardest VCE subjects. If it’s not, then go you! (please tell me your secrets).
However, if you’re anything like me, then you probably look a bit like this when you begin considering the overall meaning of a text, the author’s views and values and how any three passages in the text create the meaning.
When I studied Literature and became awash with confusion, like our old pal Ryan Renolds, the first thing I did (after eating a whole block of chocolate), was ensure I understood the context of the text. Without a clear understanding of the context of your text, you cannot fully comprehend the views and values of the author, nor the overall meaning of a text!
So if you don't want to be feeling like Renolds after you write a piece for English, Literature or EAL, consider the following:
Austen was hunched over her small writing desk in the village of Chawton during England’s Georgian era as she wrote Persuasion. You are more likely reading it in a cozy bed, listening to Taylor Swift and half considering what you’re going to watch on Netflix later. Remember, your current social and cultural context can have a great influence on how you read a text, so it’s always important to imagine the author’s own context – whether this be very similar, or very different from the context of their text. It’s as easy as a Google search!
Here's another blog if you'd like a more in-depth look into how authorial intent and context is important in VCE English/EAL.
The social context of a text is the way in which the features of the society it is set in impact its meaning. There are two aspects to social context: the kind of society in which the characters live, and the one in which the author’s text was produced.
Charlotte Brontë’s Jane Eyre was set in the same social context she herself lived in. It was one in which women were seen as the lesser sex, there was a great divide between the wealthy and lower class, and strict class boundaries were enforced. All of these societal features are key in determining Brontë’s views on the importance of social inclusion, and her championing of the strength of women.
The historical context of a text is entangled with its social context, as underlying norms and convention are historically specific. The historical context is important to note especially when large changes have occurred between the time the work was produced, and our current day, so it is not assessed by our own concerns alone.
Aeschylus’ Agamemnon was first performed in 458BC, in Ancient Greece, a time vastly different from our own. Therefore, it is important to be aware of how the play was delivered, at the festival of Dionysus as part of a trilogy. Also have an understanding of the myths surrounding the Trojan War as well as those surrounding Agamemnon, Cassandra and Clytemnestra.
Culture refers to a particular way of life, involving religion, race and nationality, as well as things like food, dress code and manners. Furthermore, culture can relate to art, music, writing and literature itself. Cultural context, which is similarly linked with social, historical and ideological context, is especially important to note if the author is attempting to make a comment on an aspect of culture, or the clash of two cultures.
Cross cultural contact between an Indigenous tribe in Western Australia, and the British colonisers of this land, is explored by Kim Scott in his novel That Deadman Dance. He reveals aspects of culture largely unknown to current members of Australian society, and also explores whether assimilation can be seen as a harmonious sign of friendship, or an intrusive loss of culture. The evolution, damage and protection of culture is an important context in this novel, and has a large bearing on the overall meaning of the text, as well as Scott’s views and values.
Ideology refers to the systems of beliefs and ideas that underpin our attitudes and behavior. Such ideology may be valued by society as a whole, or it may be the basis of conflict. Ideology is a context that is in many ways invisible. This is because our own ideology is largely internalised and normalised, we act according to our assumptions and social norms.
Many texts explore ideological context, either challenging or championing it. In his play Who’s Afraid of Virginia Woolf? Edward Albee challenged perceptions at the time of the family unit, portraying a couple that symbolises the immense dissatisfaction caused by idealistic portrayals of marriage, and the fallacies of the American Dream. He illuminates how George and Martha escape from meaninglessness by creating fantasies and illusions, but how these eventually lead to the breakdown of their mental health.
So next time you’re struggling to get started on a Literature piece, remember to think deeply about the different aspects of your text’s context!
Once you have finished all your Literature SACs for the year, all that is left is a 2 hour and 15 minute exam that will play a major part in determining your end of year study score. It seems extremely daunting, and because many of the SACs differ from the exam task, you may be feeling a bit nervous or confused about what exactly the exam entails.
In describing the task, the exam paper states:
For each of your selected texts, you must use one or more of the passages as the basis for a discussion of that text.
In your pieces of writing, refer in detail to the passage or passages and the texts. You may include minor references to other texts.
Therefore, you must write two close analysis pieces on the exam, one on each of your chosen texts. You must use the three passages included on the exam to explore and analyse the text as a whole. Most of your piece should be analysis of what is in front of you in the exam, but you must also use evidence from outside the passages, to demonstrate your knowledge and connection with the text.
The exam will be marked against a criterion that differs from any of your SACs (although it is quite similar to your close analysis SAC). Therefore it is imperative to understand the criteria you will be marked on before beginning to study for the Literature exam, and especially before you try some practice exams. They are as follows, and can be found on the VCAA Literature exam page.
Understanding of the text demonstrated in a relevant and plausible interpretation
This criteria relates to your ability to show your comprehension of the text. The examiner will be noting whether the concepts, ideas and themes in the text are understood. They will assess your interpretation of the text, and whether it is relevant and fair in relation to the meaning in the text
Ability to write expressively and coherently to present an interpretation
Literature is a writing subject, therefore this criteria asks that you write with fluency, an expressive vocabulary and clarity. Your piece must also be a coherent, unified work that clearly articulates your discussion and interpretation of the passages and text as a whole. This criteria can also relate to your use of grammar, punctuation and spelling as the clarity of your piece can be threatened if these are not used correctly.
Understanding of how views and values may be suggested in the text
You must demonstrate an ability to identify, discuss and analyze the views and values within the text. You must be able to support your discussion with evidence from the text
Analysis of how key passages and/or moments in the text contribute to an interpretation
Your ability to analyse the three passages, as well as the text as a whole, and draw an interpretation from them. Examiners will be looking to see that you can use set material and the whole text as a basis for discussion.
Analysis of the features of a text and how they contribute to an interpretation
This criteria determines that you must identify factors including metalanguage, specific language and authorial techniques, and discuss how they create meaning. Remember that this is literature, so discussing the different elements used to construct a text (character, plot, setting, motifs, symbols” is imperative.
Analysis and close reading of textual details to support a coherent and detailed interpretation of the text
This criteria determines that you need to use evidence from the text (including quotes) in order to aid a logical and comprehensive interpretation of the text. Examiners will be looking at your ability to look deeply into smaller authorial choices, and how they create meaning.
Best of luck!
For an overview of English Language, the study design, what’s involved in the exam and more, take a look at our Ultimate Guide to English Language.
Essays in English Language require contemporary examples of language being used in Australia, in order to justify your response to the topic. English Language essays are often said to only be as good as the examples that are used, so it follows that your essays will only be as good and interesting as the examples that you find. It’s a really good idea to start collecting examples, or evidence, in a “bank” from day one, and throughout the year as you prepare for essay SACs and the final exam. Great examples not only lead your discussion, but also make your essay more interesting and therefore stand out.
Primarily you want your evidence to comprise examples of how language is being used within a specific context in contemporary Australia. For instance, you might explore how leaders in Australia use overtly prestigious language with Victorian Premier Daniel Andrews’ use of the formal vocative phrase 'my fellow Victorians' at a press briefing. You may not always be able to find a specific instance of a particular language feature being used, which can be especially true for language that is not frequently used in public contexts, such as slang and ethnolects. It is okay to just have general examples that you discuss in these instances; perhaps the ellipsis (omission of understood words) of auxiliary verbs in varieties such as Greek Australian English. What is important is that the majority of your examples are actually instances of language features being used, and not simply a quote of someone else’s analysis of language, such as a linguist’s quote. Such quotes can be used in essays, but should complement your own discussion of your own examples.
Good examples must also be 'contemporary', as per the majority of essay prompts. As a general rule of thumb, ask yourself if the example you have is older than two years, and if so you may want to think of something newer. This does not mean you can never employ an older example. For instance, you may want to discuss language change in an essay, which sometimes necessitates discussing the historical context of certain language features.
Many students find it highly beneficial to create a table or list of examples that they will practice and get comfortable with – you cannot bring this into the exam of course, but it is a very effective tool for preparation. In your table or list, consider including the following:
An example is given below:
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These examples do not necessarily have to be something that you put a huge effort into going out and finding, so long as you make sure that you write down interesting language features that you come across in your day-to-day life. Keep an eye on places like the news, social media (including emojis and text speak), and any Australian television, radio, podcasts you watch or listen to. You will of course also discuss different examples of contemporary language use in class too, so make sure to add them as well.
Getting evidence is only step one of preparing for essay writing in English Language, but is the most important step for writing interesting and engaging essays. Keep in mind that this doesn’t have to be a solo activity; collaborating with classmates and group discussions, especially as you prepare for the exam can be a great way to make evidence collection fun. Be sure to check out our other blog, What Is an English Language Essay? for other tips and tricks to make your essays stand out.
English Language is 1 of the 4 different English subjects that are offered as part of the Victorian Certificate of Education (VCE). In this subject, you’ll explore how individuals and groups of various identities use different varieties of English, and how this ties in with reflecting their values and beliefs. English Language will provide you with a substantial understanding of the impact language has on societies, what it communicates about ourselves and the groups that we identify with, and how societies in turn can also influence language.
If you’re feeling uncertain about what exactly this subject entails, don’t worry! Let’s go through what’s involved in each unit, and what you’re expected to do in each.
Note: The study design contains a metalanguage list for Units 1 & 2 and for Units 3 & 4. They’re pretty similar, except the Units 3 & 4 list includes several new features, such as the addition of patterning (phonological, syntactic, and semantic), as well as a significant addition to the discourse subsystem (coherence, cohesion, features of spoken discourse, and strategies of spoken discourse).
AoS1 is called ‘the nature and function of language’. You’ll learn about the functions of different types of texts, the differences between spoken and written texts, how situational and contextual factors can influence texts, and most importantly, you’ll learn about metalanguage as per the Units 1 & 2 metalanguage list.
AoS2 is called ‘language acquisition.’ Here, you’ll learn about theories various linguistics and sociologists have proposed regarding how children acquire languages. Furthermore, you’ll also cover how second languages are acquired. One of the most important skills you’ll pick up in this AoS is how to apply metalanguage in discussions and essays.
English Across Time’, will provide you with a historical context for how we have achieved the form of English that we use today. You’ll learn about the processes which led to the development of Modern English from Old English, the changes this had on all the subsystems (learn about the syntax subsystem here), and the various attitudes that are held towards linguistic change.
‘Englishes in contact’, you will learn about the processes which have led to the global spread of English, the intersections between culture and language, and the distinctive features of pidgins, creoles and English as a lingua franca.
‘Informal language’, will give you an understanding of the roles of informal language in the contemporary Australian context. You’ll learn about what makes texts informal, how this differs for spoken and written texts, and what social purposes can be achieved through informal language - such as maintaining or threatening face needs, building intimacy or solidarity, creating an in-group, or supporting linguistic innovation.
‘Formal language,’ will provide you with a detailed insight of what makes texts formal, distinguishing features for spoken and written texts, and what social purposes can be achieved through formal language - such as reinforcing authority, establishing expertise, clarifying, obfuscating, or maintaining and challenging positive and negative face needs.
In both of these AoS, you’ll be applying the Units 3 & 4 Metalanguage in your short answer responses and analytical commentaries. The additional metalanguage is typically taught in Term 1 of year 12, while you learn the content for Unit 3.
‘Language variation in Australian society,’ is a detailed study on how both standard and non-standard Australian English are used within contemporary society. You’ll learn about how identity is constructed through language, how varieties of English vary by culture (such as ethnolects or Australian Aboriginal English), and the attitudes that are held towards different varieties by different groups.
In ‘Individual and group identities’, you’ll look at how language varies by different factors, such as age, gender, occupation, interests, aspirations, or education, and how these factors all contribute to our identities. You’ll learn more about in-groups and out-groups, and how they can be created and maintained through language. Furthermore, you’ll learn about the relationship between social attitudes with language, and how language can be shaped by, but also influence, social attitudes and community expectations.
For more information, have a look at the study design.
The Year 12 Exam involves 2 hours of writing time and 15 minutes of reading time. It has three sections:
Make sure you have a read through of the assessment criteria for each section.
Section A is 15 marks of short answer questions. You are given a text, and you’re required to respond to questions about the stylistic and discourse features used in the text, while ensuring that you’re demonstrating a detailed knowledge of metalanguage through carefully selecting relevant examples from the text.
A strong understanding of the metalanguage is really important, both in terms of knowing the meanings of each metalinguistic term, and also in knowing which category each term fits under (For example, knowing that inference is part of coherence and not cohesion). Therefore, it is important that you learn your metalanguage in terms of what each terminology means, and also in terms of which category each term fits into.
As a general guide:
One of the biggest mistakes students make here is not reading the questions properly. Students sometimes miss how many examples the questions specifies to identify (this information is often given as ‘identify 2 examples’ or ‘identify the purposes’ as plural), forget to check how many marks a question is, or mix up certain metalanguage terms, such as confusing sentence types with sentence structures. So, be very careful in answering these questions.
[Question 2, 2017 VCAA] - Identify and comment on the use of two different prosodic features. (4 marks).
Here, you would identify 2 different prosodic features (pitch, stress, volume, intonation, or tempo), and discuss what effect they have on the text, taking contextual factors into consideration. For example, stress could be used to draw emphasis, or intonation could influence the emotion conveyed.
[Question 1, 2015 VCAA] - What sentence types are used in lines 15 to 36? How do they reinforce the purposes of this text? (3 marks)
Here, you would identify the relevant sentence types (declaratives, imperatives, interrogatives, and exclamatives), and explain their role in the text. You would also want to ensure that your explanations are specific to the context of the text.
[Question 9, 2010 VCAA] - Discuss the function of two different non-fluency features between lines 70 and 96. (4 marks)
Here, you would identify two non fluency features (such as pauses, false starts, repairs, repetition) and give a 1 sentence explanation of its role or what it indicates.
[Question 1, 2012 VCAA] - Identify the register of the text. (1 mark)
This question is quite straightforward, and you could use terms such as formal, informal, predominantly formal/informal in your response.
[Question 4, 2012 VCAA] - How does the verb tense in lines 9–34 support the purpose of this section of the text? (2 marks)
Here you would identify whether the verb tense is in past, present, or future tense, and explain why it has been used in that way based on the contextual factors.
[Question 3, 2017 VCAA] - Using appropriate metalanguage, identify and explain two specific language features that reflect the speaker’s identity.(4 marks)
Here, you can pick examples from any subsystem that relate to the speaker’s identity, such as jargon, colloquialisms, semantics of certain jokes, expletives, or pejoratives.
Note: The exams prior to 2012 have 2 sets of short answer questions, because analytical commentaries weren’t a part of the exam back then. This leaves you with lots of practice questions! However, do keep in mind that the metalanguage lists differed and certain features were categorised in different ways. For example, Question 2 from the VCAA 2013 exam asks you to talk about prosodic features, however, in the examiner’s report, pauses are suggested as an option. We know that in the present study design, pauses are classified as features of spoken discourse, under the discourse subsystem, whereas prosodic features are classified under the subsystem of phonetics and phonology.
Check out How To Respond to Short Answer Questions in VCE English Language if you need more help tackling Section A of the exam.
Section B is an analytical commentary (AC) worth 30 marks. The introduction for an AC is an explanation of the contextual factors, the social purpose, and the register, of the text. In the body paragraphs (generally three), you group your examples from the text by themes, and explain their roles.
There are two main approaches for body paragraphs; the sub-system approach, and the holistic approach. In the sub-system approach, you would organise your examples so that each paragraph is addressing a specific subsystem. For example, your AC could be composed of the introduction, and then a paragraph on lexicology, one on syntax, and one on discourse. This approach is easier for when you’re starting out with ACs, but one of the issues with it is that you end up limiting yourself to just one portion of the text for the one paragraph. In the holistic approach, you would typically do a paragraph on social purpose, register, and discourse. In this approach, you are able to group examples from multiple subsystems and talk about how they work together in achieving specific roles in the texts.
Make sure you’re attempting a range of different types of texts, such as, opinion pieces, recipes, oaths, editorials, advertisements, eulogies, social media posts, public notices, television transcripts, radio transcripts, letters, speeches, legal contracts, conversations, narratives, and more.
For more information, have a look at this video:
Section C is an essay worth 30 marks. There are a range of topics that can potentially come up in the exam, and it is really important that you practice writing a variety of essays.
In essays, it is really important to ensure that you set out a clear contention in your introduction. This will basically tell the assessor what point you’re making in your essay, and it’ll also help you remember which direction to take your essay. After your contention, you need to signpost your ideas. This means that you need to summarise what 3 points you are stating in your body paragraphs.
Here’s an exercise which is really helpful in refining introductions - When you’re writing your contention, write “In this essay, I will argue that [Insert contention]. I will do this by stating the following points [Insert signposting].” When you’re happy with your introduction, you can remove the underlined parts. This will help you really understand how the roles for contentions and signposting differ. You’ll also thoroughly understand what position you’re taking in the essay.
The body paragraphs follow TEEL structure. You begin with your topic sentence, state your evidence, explain it, and then link it back to your contention. You have three options for the type of evidence that you’ll use (stimulus material, contemporary examples, and linguist quotes), and it's important to use a combination of them. According to the exam rubric, you have to be using at least 1 piece of stimulus material. Contemporary examples should ideally be from the current year and the previous. Linguist quotes don’t have time restrictions but it’s a good idea to try and find recent ones.
One of the most important things in body paragraphs is to make sure that you’re able to link your example back to your contention. If you’re unable to do this, it means that your examples aren't relevant to the points that you’re trying to make.
In your conclusion, you need to ensure that you don’t introduce any new examples or points. The role of the conclusion is to summarise and reinforce your points and your overall contention.
If you would like further clarification, have a look at this post on English Language Essays.
Having a study timetable will make studying much less stressful than it needs to be. In your timetable, make sure you are allocating enough time for all of your subjects, as well as time for rest, extra-curricular activities, work, and socialising. A realistic time-table will also mean that you’re less likely to waste time trying to decide which subjects to study for. For example, every Sunday, you could spend 15 minutes planning out your week based on which assessments you have, and which subjects you would like to give time to. This becomes especially useful in SWOTVAC, where you’ll be responsible for ensuring you’re spending enough time on each subject whilst also balancing everything else outside of school.
Here are some extra resources to help you with time management:
How to survive VCE - motivation and approach
Consistently revising metalanguage is one of the most important study methods for English Language.
The basics of metalanguage are covered in Unit 1. Make sure you keep a clear set of notes for this content so that you’re able to look back on it to revise throughout the year. Before the year 12 year begins, you want to make sure that everything in the year 11 metalanguage list makes sense to you. Spending the summer holidays before year 12 begins in reinforcing the basics will help you throughout year 12, as you’ll be able to pick up on the new metalanguage much faster. One of the first things you'll cover is coherence and cohesion, so if you would like to get a head start, have a look at this post.
Throughout year 12, consistently revising metalanguage will be your responsibility. It is likely that you’ll be spending a greater proportion of class time in learning content, and writing short answer responses, analytical commentaries, or essays. Therefore, it’s really important to figure out a way that works best for you in being able to frequently revise metalanguage. Flashcards are pretty useful for revision, as well as making mind maps so that you’re able to visualise how everything is set out in the study design.
One issue students run into is that they’re able to define and give examples for metalanguage terms, however, they are unable to understand how it fits in in terms of the categories under each subsystem. For example, a student is able to remember what a metaphor is, but unable to recall that it fits under semantic patterning. Similarly, a student may know what a pause is, but not know if it’s part of prosodic features or discourse features. It’s important to know what all the categories are, because the short answer questions usually ask for you to identify features under a particular category. Therefore, spending time on just revising the definitions alone isn’t sufficient in learning metalanguage. You also need to be able to ensure that you can recall which category each term fits under.
For the essay, you’re required to use contemporary media examples as evidence (alongside stimulus material and linguist quotes). It’s really important for you to begin this process early so that you’re able to start using examples in essays as early as possible. For tips on how to find, analyse and store your examples, see our post on Building Essay Evidence Banks for English Language.
Having an awareness of Australia’s historical, political, and social context, will provide you with a more comprehensive perspective of the contemporary examples. So, if you don’t already do this, try to develop a habit of reading the news (The Conversation or The Guardian are a good place to start). Television programs like Q and A, The Drum, and Media Watch, will help you understand the Australian context, and often these programs will also discuss the roles of language, which directly links with what you're looking for as essay examples. It’s especially important to start early, and to build these skills over time, so that you are able to develop a holistic foundation.
Doing extra practice pieces is a really effective way to develop and refine your analytical skills. Make sure you receive feedback for all your work from your teacher or tutor, as it’s the only way you'll know if you’re going in the right direction.
If you’re short on time, even writing up AC or essay plans, or just doing 1 paragraph, is an effective way to revise.
Memorising several pages full of linguist quotes and contemporary examples may seem daunting at first, but once you begin using them in essays, they’ll become much easier to remember. Right from the beginning of yr12, make sure you set up a document to compile your linguist quotes and examples into subheadings. For example subheadings such as ‘cultural identity,’ ‘jargon,’ ‘hate speech,’ ‘free speech,’ or ‘Australian values’ will make it easier for you to navigate your notes when you're planning your essays.
If you start early, you’ll be able to remember everything bit by bit as you progress through the year, which is definitely easier than trying to remember the evidence the night before the assessment. Additionally, you’ll be ready with quotes and examples as soon as you begin essays in class, so you’ll be able to use your examples earlier, hence learn them earlier, and therefore be able to memorise your quotes and examples in advance. If you’re in year 12 and you’re nearing the end of the year and still struggling to memorise your examples and quotes, try using flashcards to remember your evidence. Make sure you’re doing a range of essays on different topics so that you’re able to apply and analyse your evidence.
It can be pretty disheartening to make the same mistakes repeatedly and continue to lose marks. So, compiling the mistakes that you make throughout the year in a separate notebook or document is a fantastic way to keep track of the key things you need to remember. You’ll also be less likely to repeat those mistakes.
Studying in groups for English Language is a highly effective way to refine your understanding of the content, and see different perspectives in the way certain ideas can be applied. Revising metalanguage and testing your friends on their knowledge can be a light and engaging way to ensure you and your friends are on the right track. Sharing the ways you and your group have approached a specific AC is also an effective way to learn about different approaches. Discussing essay topics is a useful way in refining your arguments, as you’ll be exposed to different opinions and be able to work on ensuring that your arguments are relevant and strong.
See How To Extend Yourself in VCE English Language for more tips!
Please refer to pages 9-10 for the Year 11 list, and 17-18 for the Year 12 list!
Language is fundamental to identity and consequently we draw on our linguistic repertoire to project different aspects of our identity according to context. Discuss this statement in the contemporary Australian context with reference to at least two subsystems in your response.
(This essay topic relates to Unit 4 - AoS1, ‘Language variation in Australian society.’)
Language plays a pivotal role in establishing and communicating various facets of identity. As such, individuals can alter their linguistic repertoire to establish in-group membership. Teenspeak is an effective mechanism in expressing teenage identity, but can also be used by the older generation to appeal to young people. Code switching between ethnolects and standard Australian English further illustrates how individuals can manipulate their linguistic choices to suit their environment, whilst simultaneously reflecting ethnic identity . Furthermore, jargon plays a critical role in establishing professional identity and signifying expertise or authority. Consequently, linguistic choices are capable of expressing diverse and multifaceted identities.
Teenspeak is capable of expressing identity and establishing in group membership amongst teenages, however it can also be used by those in the out-group to appeal to teenagers. Professor Pam Peters asserts that “Teenagers use language as a kind of identity badge that has the effect of excluding adults." Consequently, teenagers are able to establish exclusivity and in-group membership. Bakery owner Morgan Hipworth, who largely has a teenage following and is a teenager himself, employs teenspeak in a video recipe, where he responds to the question ‘Can you make a 10 layer cheese toastie?’ with ‘Bet, let’s go.’ Through using the teenspeak term ‘bet,’ Hipworth is able to relate and connect with his young audience while further asserting his identity as a teenager. This demonstrates how teenspeak can be effective in both establishing in-group membership, and expressing identity. Similarly, Youtuber Ashley Mescia’s extensive use of teenspeak initialisms in Instagram captions, such as ‘ootd’ for ‘outfit of the day,’ ‘grwm’ for ‘get ready with me,’ and ‘ngl’ for ‘not gonna lie,’ allows her to connect with her predominantly teenage following, thus allowing her to establish solidarity and in-group membership. This further indicates that teenspeak is an effective mechanism in expressing identity and building in-group membership. In contrast, teenspeak can also be used by older people in an effort to appeal to teenages. For example, in 2019, ABC’s Q and A host Tony Jones ended a promotional video for an opportunity for high-school students to appear on the panel with ‘It’s gonna be lit fam.’ This was done in an effort to appeal to younger people by exploiting the notion that it is often seen as cringeworthy when older people use teenspeak. Linguist Kate Burridge asserts that “older people using contemporary teen slang often sounds insincere and phoney,” and Jones was aware of this, however his purpose was to appeal to this to be able to further promote the video. Therefore, teenspeak is effective in both establishing in-group membership and expressing identity, and also appealing to the in-group and a member of the out-group.
Although language change features more heavily in Units 1 & 2, it is still important to be aware of how language is changing in everyday lives to reflect social needs, attitudes and values. Consider the following:
Studying both English and Literature in VCE is an interesting undertaking, and I’ve heard very mixed opinions about whether or not it’s a good idea. For me it was a no-brainer; I’d always loved English so why wouldn’t I take advantage of the opportunity to study two English-based subjects? Looking back on my VCE experience now, and comparing my experience of studying each subject, I can see that they are each very different. However, if you’re going to study both, don’t expect that each subject will unfold in isolation, because your work in one of these subjects will undoubtedly impact upon your work in the other - even if, like me, you complete them in different years. So if you enjoy English I would 100% endorse studying both VCE English and VCE Literature, but being an English-nerd I still think there are benefits to analysing the process of studying this dynamic-duo back to back.
At the beginning, I assumed that Literature and English would be fairly similar in terms of studying and writing. It’s all about reading books and writing essays, right? Well, whilst this is essentially true, it turns out that the process for each subject is quite different. I studied year 12 Literature first, completing it in 2017 as a year 11 student, and as my only unit 3/4 subject for that year it was the focus of a lot of my time, energy, and creativity. What I loved about VCE Literature from the beginning was the departure from formula; the impetus to “dive right in” as my teacher always used to say. Instead of worrying about how many sentences your introductions and conclusions have to be, in Literature you can simply get straight into the analysis and see how far it takes you. So, if you’re the kind of person who needs to stick to that body paragraph structure acronym that has always served you so well, then when you first start studying Literature it might be a challenge to loosen up. Or, if you’re like me and can’t shake the compulsion to write paragraphs that take up double-sided sheets of paper, you might find this subject to be a welcome respite from some of the restrictions of English tasks.
Although English is often viewed as the more ‘basic’ of the two, in many ways I found it more difficult once I hit year 12. Having just finished VCE Literature, shifting my focus back to English definitely wasn’t as seamless as I might have expected. In comparison to my Literature essays where I would base paragraphs around in-depth analysis of a few of Gaskell’s sentences, my English text responses felt stunted and forced – English isn’t really compatible with tangents, and so it was difficult to train myself to be expressive whilst also being concise. In my opinion, the most daunting of the year 12 VCE English SACs is the comparative, and this is where my lack of flow was most evident. Being accustomed to delving into complex discussion of the details of my Literature texts, it seemed impossible to provide insightful analysis of two texts simultaneously, whilst also comparing them to each other and also keeping my essays well structured. My first comparative practices sounded somewhat awkward when I read over them, and I just felt like I never really knew what I was trying to get across. This provoked me to be frustrated with myself, and then my frustration distracted me from writing, and then my essays read even more contrived; you get the idea.
So, how do you push past this sense of friction between the study of English and the study of Literature? Well, I think the best way to reconcile the conflicting approaches is to realise that each subject brings out different strengths, but these strengths can be applied to either type of study. Yes to a certain extent English is supposed to be formulaic, but you can use the analysis skills you learn in Literature to enhance your English text responses and give your work a point of difference. On the flip side, the structure you work with in English can be applied to Literature to ensure that your essays always exhibit direction and purpose, even if they encompass a broader range of discussion. Once I realised that I didn’t have to discard all of my Literature skills and start writing my English work exactly the same as everybody else, I began to develop a more fluid, balanced writing style that enhanced all of my English tasks – even the comparative.
Let’s start with the obvious comparisons between the English exam and the Literature exam. Firstly, the English exam encompasses three essays in three hours (with 15 minutes reading time), whilst Literature is only two essays in two hours. The English exams tasks include a text response to a prompt, a comparative text response to a prompt, and a language analysis. The Literature exam involves a passage analysis, and a text response to a prompt influenced by a literary perspective. Where in the English exam you are given a choice of prompts for each text choice, whereas for both sections of the Literature exam only one choice is available for each text. Whilst both exams involve some supplied material, in Literature this material is a passage from one of the set texts, however for the language analysis section of the English exam this is completely unseen material created by the VCAA. For me, this felt like a very significant difference, because there is no familiar material (i.e. passages from the texts) to rely on in the English exam; if you get lost you can’t latch on to anything except what you have memorised.
Personally, I think that the study strategies I utilised for each exam were fairly similar, although obviously geared towards different tasks. I took in depth notes on my texts, planned essays, memorised quotations and explored their significance, timed my practice essays etc. My actual approach to each exam was also similar, for example I made sure to allocate one hour for each different task and did all of my planning mentally during reading time. So although obviously everyone’s study and exam techniques are different, this shows that your own personal strategies that you develop can be applied to both the Literature and the English exams. However, despite the continuity in this sense I still found myself feeling very different coming out of my English exam than I had leaving my Literature exam the year before. Where after the Literature exam I had been content with the knowledge that I had showcased the best version of my abilities, after the English exam I felt much more unsure and ready to believe the worst about the outcome. This particular comparison is of course specific to every individual person, however I think it could have something to do with the knowledge that most VCE students study English and the difficulty in believing that your work could stand out from the work of 40,000 others.
In the end, I achieved very different results from these two subjects, with English being my highest study score and Literature being one of my 10% contributions. It seems to be a general consensus (or at least it was at my school) that it is more difficult to crack the high 40s in Literature than in English, and whether this is true or not it definitely impacted my expectations of my results each subject. However, that said, after being slightly disappointed with my Literature results in year 11 I was not overly optimistic about doing much better in English. When talking about this with my Literature teacher, she told me to “remember that English is marked very differently to Lit, so don’t think you can’t get a 50” and I think this is very solid advice. Whilst you might feel you were equally skilled at both subjects, this doesn’t mean you will receive equally ‘good’ results’, but don’t let this disparity discourage you because, as we have discussed throughout this post, when it comes to Literature and English one size does not fit all.
Arguably one of the greatest modern playwrights of our time, Tennessee Williams produced some of the best post-war 1950’s American plays that have now engrained themselves as classics. After the conclusion of the second world war, America was pervaded with hypermasculinity, deep levels of insecurity and a desperate need to regain the pre-war success of the 1920s. During the 1950s, the United States began to regain its economic success and spirits were high as ever; however, this may only have been ostensible. Beneath the surface of such success lurked unshaken expectations on both men and women and deep-rooted bigotry.
In this article, we will get to know how these concepts are explored in ‘Cat on a Hot Tin Roof’ and examine why this text is important in the context of Lit Perspectives and Close Analysis.
Brick is too numb to feel much of anything any more; he is a drunk and cold shell of what he once was. Since the death of his friend Skipper, Brick has retreated into solitude and emotional aloofness, and the only emotions that he can express are disgust and boredom. The other characters can only coax an emotional response out of him when they mention Skipper
Maggie is a traditional 1950’s beauty, she is lively, gorgeous and has a deeply sexual presence. She spends the majority of the play trying to get Brick to sleep with her- both to satisfy her own needs, and to allow her to conceive a baby. This which would guarantee her share of the Pollitt family wealth.
Big Daddy, like Brick, gets a lot of undeserved attention and love; this is because he sits upon the Pollitt wealth he built. He worked hard for economic success, and now he wants to enjoy it. He is uninterested in Big Mama and treats her with little affection or respect.
She is an older version of Maggie - more dramatic, needier, having let herself go. She loves her husband unconditionally despite his cruelty and indifference to her. Like Big Daddy, she cannot help but prefer Brick to Gooper because he is so much like Big Daddy.
Brick’s older brother but has lived in his shadow since the day he was born. While Brick got the attention with looks and football, Gooper married into society and became a successful lawyer. But the unfair attention and focus on Brick has made Gooper vengeful and petty, and so it is out of both greed and spite that he actively campaigns for control of Big Daddy’s estate.
Gooper’s wife who has all of his greed and sourness, without any of his justifying history. She taunts Maggie’s lack of motherhood by parading her plethora of children around the house.
TIP: Concepts and concerns should form the basis of your analysis whether you are doing a close analysis or a literary perspectives essay!
The central tension in the play is underscored by mendacity, lying and deception. The repressed truth is constantly on the verge of being unleashed and it is the “inadmissible thing” that pervades the family. The two primary sources of mendacious repression are Brick’s homosexual desires and Big Daddy’s imminent death from cancer. Ironically, it is these two who value integrity and honesty the most.
When Big Daddy finally finds out the truth about his impending death he exclaims: “By all the goddam lies and liars that I have had to put up with, and all the goddam hypocrisy that I lived with all these forty years that we(big mama) been living together”
In a final moment of existential dread and disgust, Brick resignedly claims that “mendacity is a system that we live in. Liquor is one way out and death is another”. These are the fates that are destined for Brick and Big Daddy respectively.
The truth (if there can be such a thing) is that both Brick and Big Daddy are loved so ardently by their partners, but they blinded by their dishonesty to themselves. It is because Brick cannot come to terms with his own sexuality and Big Daddy cannot fathom his inevitable death that lies, and deceit is perpetuated in the text.
Williams himself was gay and lived in a society that constantly repressed and shamed it as a deeply sinful practice and associated it with failed masculinity. Thus, he explores the deep turmoils of homosexuality in the 1950s and its implications on manliness, bigotry and society.
Whilst not stated explicitly, it is implied that Skipper confessed his love to Brick; whilst Brick felt the same way, he knew this would not be accepted by society. Consequently, he shuts Skipper down and later that night, Skipper commits suicide. Brick cannot admit the truth to himself because in his mind “purity” and “homosexuality” are mutually exclusive, due to his own internalized homophobia and even when Big Daddy makes Brick face his desires and the guilt that pervades him; he cannot escape the bigoted societal norms imbued within him
Williams paints an image of distress, pain and grief caused by the prevailing homophobia of the 1950s. Brick is crippled both by his failure as a man and his failure to be true to himself.
Back in the 1950s, the American Dream was the dream that everyone was expected to aspire for was much more conservative. It included a traditional family with a stay at home mother, hard-working and masculine father, 2-3 children, a home and money, lots of it!
The Pollitt family truly embodied the American Dream. With their self-made fortune, successful sons (though Brick is now a mess) and even grandchildren. In many aspects, Gooper and Mae fulfil the expectations of the American Dream much more than Brick and Maggie do; they have children, success and ambition. They attempt to use this to their advantage in their bid to win over Big Daddy’s estate but even that fails to sway Big Daddy’s favouritism for Brick.
Brick is as resigned and aloof to the idea of wealth and tradition as he is to his wife Maggie. His repressed homosexuality already divorces him from the ingrained social expectation of the American Dream and it disappoints him to pretend to desire the same things his brother Gooper does. This, ironically, only makes him more favoured by his parents.
In a world of strict expectations and immovable bigotry, there is no room for homosexuality, and this disappoints no one more than Brick himself. In his world, the very essence of his being contradicts the dream that everyone is taught to value. Williams asks readers to consider the consequences of such restrictive beliefs, he questions the American dream at a fundamental level by asking: so why do we all have to want the same thing?
What does it mean to be a woman? For Mae, that means being a loving housewife and being able to bear children. In the petty feud for Big Daddy’s will, she insults Maggie’s childless state, she is less of a woman because of it. Of course, the reason Maggie cannot have children is that Brick is unwilling to sleep with her. Again, even though Mae has provided Big Daddy and Big Mama with a plethora of grandchildren, they still prefer Maggie’s young and sensual energy.
Williams attempts to undermine the characteristics that were supposed to define women as feminine through Maggie. Moreover, women were supposed to be passive players in the family, to do their husbands bidding and to be polite and proper at all times. Maggie is none of these things. She is unapologetically sexual, unwaveringly ambitious in her pursuit of the Pollitt family wealth and determined to cement herself as Brick’s partner although she knows of his homosexual desires. In a society where women were not supposed to have dreams let alone pursue them, Maggie is a “cat on a hot tin roof”, chasing her dreams with careless disregard of established hetero norms.
Now we get into the tricky stuff! This is one part of your exam and is the Unit 4 Outcome 1 SAC so it’s important that you get a competent grasp of the task! TIP: Follow this link to get an overview of the literary perspectives task (I’m thinking of linking the ultimate lit perspectives guide here, let me know what you think)
Some prevalent perspectives should jump out at you immediately just by looking at the Concepts and Concerns. Remember that you don’t have to choose just one perspective, it’s more important that you develop an overall interpretation of the text and incorporate the buzzwords that reflect your perspective. Use your perspective/interpretation as a lens to the concepts and concerns mentioned above as a springboard for your analysis
Now we get into the tricky stuff! This is one part of your exam and is the Unit 4 Outcome 1 SAC so you must get a competent grasp of the task! TIP: Follow this link to get an overview of the literary perspectives task (I’m thinking of linking the ultimate lit perspectives guide here, let me know what you think)
Some prevalent perspectives should jump out at you immediately just by looking at the Concepts and Concerns. Remember that you don’t have to choose just one perspective, it’s more important that you develop an overall interpretation of the text and incorporate the buzzwords that reflect your perspective. Use your perspective/interpretation as a lens to the concepts and concerns mentioned above as a springboard for your analysis
Here are some general perspectives that you might want to think about:
Think about the role the women in this text play and how they are portrayed. You have three vastly different women who all reflect the social standards that defined the 1950s in varying degrees.
Maggie does not seem to care much about what Brick wants as much as she cares about her own needs proven when she attempts to force him to do things he doesn’t care much for (pretending he remembered Big Daddy’s birthday or sleeping with her). She stands in diametric opposition to Big Mama and Mae who are both stereotypical women of their times, always forgoing their own desires for their husbands’. In this sense, our sympathy for Maggie only confirms Williams’ notion that women should be able to freely chase their ambitions and break free of restrictive stereotypes.
These societal standards that reinforce traditional gender roles, heterosexuality and the pervasive male gaze form what literary critics call heteronormativity. This is a key notion in feminism and extends this perspective to more than just an analysis of women in society. It also asks us to question how these hetero norms may influence overarching definitions of masculinity. We can see how these hetero norms have forced Brick into an empty cripple whose only clutch is alcohol and the “click” of peace he drinks for.
TIP: Heteronormativity can also be linked to Marxism as it forms part of the superstructure (institutions and culture considered to result from and reflect the economic system underlying society) that perpetuates the belief that men must be the breadwinner to support their housewives and children. In other words, if you are not supporting your family financially, you are not considered a true man.
Some might argue that the central conflict in the play comes down to who will inherent Big Daddy’s wealth after his death and is only inflamed by Brick’s repressed sexuality. The American Dream is literally underscored by the chasing of money!
Consider how the class impacts the tension in the story. Because of their high social status, Brick’s sexuality is only more scandalous. Funnily enough, despite the fact that Maggie knows he does not love her, she could not care less. As I’ve probably hammered in enough by now, she has more regard for the money than Brick (though she does love him). Furthermore, Gooper’s job as a lawyer, in his mind, only further cements him claim to the Pollitt family throne because it pays well and is highly respected.
Pain, trauma, guilt, desire, gaze and the unconscious. All these things come into play when thinking about psychoanalysis. Popularised by Sigmund Freud who believed (and I’m simplifying here) that psychological theories and techniques could help people better understand their unconscious thoughts, feelings and desires. This is turn, would help them explain their behaviours.
The best way to start a psychoanalysis of ‘Cat on a Hot Tin Roof’ is to think about what each character wants, how they are behaving and how their past might influence this. Brick’s homosexuality and the guilt he feels at Skipper’s death is a great place to start. This is also a great way to integrate to touch on other perspectives if you think about the ways in which heteronormativity or social status may have influenced his decisions back then.
TIP: Just because it’s close analysis, doesn’t mean you can forego an overall interpretation!! Remember the Concepts and Concerns of the author! Here is a link to help you out with more general close analysis advice (again same idea as previous section, to
Some might argue that the central conflict in the play comes down to who will inherit Big Daddy’s wealth after his death and is only inflamed by Brick’s repressed sexuality. The American Dream is underscored by the chasing of money!
Consider how the class impacts the tension in the story. Because of their high social status, Brick’s sexuality is only more scandalous. Funnily enough, even though Maggie knows he does not love her, she could not care less. As I’ve probably hammered in enough by now, she has more regard for the money than Brick (though she does love him). Furthermore, Gooper’s job as a lawyer, in his mind, only further cements him claim to the Pollitt family throne because it pays well and is highly respected.
Pain, trauma, guilt, desire, gaze and the unconscious. All these things come into play when thinking about psychoanalysis. Popularised by Sigmund Freud who believed (and I’m simplifying here) that psychological theories and techniques could help people better understand their unconscious thoughts, feelings and desires. This is turn, would help them explain their behaviours.
The best way to start psychoanalysis of ‘Cat on a Hot Tin Roof’ is to think about what each character wants, how they are behaving and how their past might influence this. Brick’s homosexuality and the guilt he feels at Skipper’s death is a great place to start. This is also a great way to integrate to touch on other perspectives if you think about how heteronormativity or social status may have influenced his decisions back then.
TIP: Just because it’s close analysis, doesn’t mean you can forego an overall interpretation!! Remember the Concepts and Concerns of the author! Here is a link to help you out with more general close analysis advice (again same idea as the previous section, to link the ultimate guides)
The close analysis essentially wants you to analyse the nitty-gritty of your text. Demonstrate to VCAA that you understand how language creates meaning and can support the overarching values of the author. Questions of form, structure, language devices and literary techniques all come in to play when thinking about how Tennessee Williams created meaning in the play. Think of yourself as a detective who must find the most forensic examples in supporting your overall perspective. Here are a few things you might want to consider when closely analysing ‘Cat on a Hot Tin Roof’.
The Play as a form is one of the most distinct types. It is a show for an audience and does not have as much intimacy as a novel. It has stage directions that the audience does not see and even minute punctuation that must be portrayed by actors. It is important that you can demonstrate you understand this!
Different stage directions will impact the audience in a multitude of ways. For example, Williams had detailed ‘Notes for the Designer’ that closely depicted the setting and atmosphere of the play. In it, he detailed the story of “Jack Straw and Peter Ochello, a pair of old bachelors” who were rumoured to be gay. This instantly establishes homosexuality as a backdrop of the play, it is woven into the setting.
Or you might want to analyse the stage directions that constantly punctuate Brick’s dialogue; every time he speaks it is “absently”, “dreamily” or “vaguely”, which further emphasises his cool and aloof nature. This is in contrast to when he speaks about Skipper in which he suddenly becomes defensive; his dialogue graduates from resigned one-liners to profuse emotional rants.
Whilst the form of a play is unique in itself, there are certain aspects of ‘Cat on a Hot Tin Roof’ that differentiates it from others.
For example, the play in its entirety occurs within one day. This emphasises the extent to which the Pollitt family had already been teetering on the edge of unleashing the secrets of the family. The confirmation of Big Daddy’s death only opens this up further and unwinds the atmosphere of secrecy, denial and mendacity in merely a few hours.
This is only heightened by the fact that the entire play occurs in one room, the “bed-sitting-room” of the plantation home. Therefore, no matter how hard the family tries to escape the truth, the claustrophobia created by having so many of them in one room together acts as a catalyst for the truth to be revealed.
Also, consider how these characters are established! What has been said explicitly and what has been alluded to. For example, it is never explicitly said that Brick is gay or that Big Daddy will die (to his face at least). In some ways, despite the fact that everyone knows the truth, it is still a truth too difficult to bear and speaking it out loud will only confirm what they have been in denial about for so long.
Regardless of whether you’re writing a Text Response, Comparative, or even an Argument Analysis essay, it is easy to see the introduction as something inconsequential, that won’t change your overall mark. And as a result, far too many students view the intro as a mere convention of writing that simply needs to ‘tick off’ certain criteria before they get into the ‘meat’ of the essay. But, from my experiences in VCE English, I’ve found taking some time to write a concise, yet original, considered, and insightful intro (with a bit of flair when appropriate) can be hugely beneficial.
Everyone has heard it before:
You can’t win/lose marks in an introduction or conclusion
I’ll be the first to admit that in some ways, this is true. The purpose of a Text Response essay is to show an understanding of a text through analysis. So, it is natural that your essay is marked based on the quality of your analysis of the text. And, because very little of this analysis occurs in the introduction, it’s easy to think that an intro can’t influence or change your final mark. While this may be true in theory, the reality is that your introduction serves as a foundation for your analysis...and just like a house, without a solid foundation coming first the rest of your essay is more liable to be weak and fragile. In my mind, the introduction provides a basis for everything that you’re going to analyse in your body-paragraphs which can build upon the assertions you have made regarding the topic in your intro. In other words, the introduction sets the direction for your essay, which overall acts as a backbone allowing for a cogent argument to be presented in your piece.
Now that we have established how an introduction helps contribute to the overall cohesiveness of an essay, let’s have a look at how an intro can help you while you’re writing. Especially when writing under timed conditions, it can be difficult to produce a detailed plan which lays out the structure of an essay. Here's where your intro can be of great help. When considered carefully, your introduction can set the parameters within which your essay will be contained. In other words, your intro can define the scope of your essay, outlining which themes and characters you are going to explore, and most importantly what arguments you are going to posit throughout your script. This means that if you get lost, or go blank trying to figure out what you should write next you can refer back to your intro to find a sense of direction and regain a foothold in your essay and. In this way, the intro not only acts as a foundation for your body-paragraphs but also provides a blueprint for them which can guide you from point to point.
At the same time, although an introduction cannot explicitly earn you marks, I would argue that a quality introduction can help position your assessor to immediately categorise your essay as belonging in a higher mark bracket. At the end of the year, exam assessors have hundreds of scripts to mark. And the truth is, they will not dedicate more than a couple of minutes to read your essay. As such, if you can impress your assessor with a powerful opening, they are more likely to see your piece as one that should earn a high mark. The reality is that assessors can often tell a lot about an essay based on the quality of its introduction. Therefore, if you can write a 9-10/10 introduction, your assessor will already be leaning towards awarding you a mark in that range without even having read your body-paragraphs yet.
If there’s one thing English teachers and assessors hate, it’s reading essays that have been memorised and recited (though, if you absolutely insist, then here's a middle-ground option where you could use' templates'). What is crucial, then, is that from the very first line of your introduction you are responding directly and unswervingly to the topic. I would suggest trying to avoid starting with a cliche contextual statement in favour of a bold response to the topic.
For example, in response to the topic ‘Shakespeare’s Vienna is a world devoid of balance.’ I would try to avoid starting my introduction with a vague and easily memorisable statement such as...
‘Shakespeare’s Jacobean tragicomedy Measure for Measure explores the concept of balance in his extremest characters.’
Instead, a bold opening statement is preferable...
‘Whether it is in Vienna’s abject lasciviousness, Angelo’s ascetic self-governance, or even Isabella’s hyper-rectitude, Shakespeare’s conception of Vienna in Measure for Measure is one laced with problematic extremism.’
Consider opening with a quote which captures your take on the topic. In the Comparative task, most definitely try to avoid staring with the word ‘Both’, and instead consider shedding light on a theme or concept common to both texts.
Whether it is between African and Afrikaner or Trojan and Achaean, the capacity for human understanding is upheld as paramount to overcome societal fissures. After you have put forward a broad response to the topic in your opening sentence, your introduction can then proceed to ‘zoom in’ and offer more specific arguments. These specific ideas should essentially signpost the distinct arguments you are going to present in each of your body paragraphs.
And, as suggested in the 2019 VCAA Exam Report:
‘One characteristic of high-scoring essays was recognition of the ways in which the ideas the student intended to discuss were connected.’
This means that the ideas you flag for discussion in your intro, should be logically connected to both the prompt and each other, and you should aim to outline these connections.
The specific ideas which you offer set the parameters for the rest of your essay, so it is a good idea to ensure that these insights take into consideration the implications of the key-terms of the topic, and attempt to take the topic further. This allows you to consider the text in a sophisticated and conceptual way while maintaining rock-solid links to the topic.
After you have ‘zoomed into’ the specific arguments you will be mounting in your essay, the final step is to ‘zoom back out’ and offer an incisive, and powerful overall contention which responds explicitly to the terms of the topic. We talk about this 'zoom in' and 'zoom out' technique in How To Write A Killer Text Response.
Ultimately, the introduction provides you with a great opportunity to show off to your assessors that you can write incisively, fluently, and with confidence.
How To Write an A+ Language Analysis Introduction
Introductions for EAL Language Analysis, To Write or Not To Write?
VCE Literature Close Analysis: Introduction
5 Tips For A Mic-Drop Worthy Essay Conclusion
The Ultimate Guide to VCE Comparative
The Ultimate Guide to VCE Text Response
The Ultimate Guide to VCE Language Analysis
Over the years I have seen many exceptional essays. What has really surprised me in the past is when I compare high-scoring essays. In one instance, I read one English student's essay (raw study score of 50) after another student's (raw study score of 46). What do you think contrasts between a student who achieves 50 and a student who achieves 46 (bearing in mind of course, that these two scores are already amazing!)? For me, I had assumed that a major contributor to the perfect score of 50 must be better vocabulary. You would think so too right?
NO! In fact, the student of 46 had embedded heaps of complex and amazing-sounding words in her essay - much more than those used by the student who obtained a 50. Oddly, the perfect scorer had hardly any complex vocabulary in her piece. But this ironically, was the strength of her essay. Because she wasted little time on trying to throw in lots of fancy vocabulary, she was able to focus on exploring complex ideas in her essay instead. This is what examiners are after. So if you're struggling with vocabulary, don't worry - not all hope is lost!
One of the biggest struggles is to 'improve vocabulary' in VCE. So many students are caught up trying to improve their vocabulary or using 'big words' that they don't realise the worst thing yet: using bigger words can actually hurt your essay. Yes, you read it right. Even research has actually found that using complex or big words in an essay can backfire for the student!
1. Obstructs clarity of ideas.
Readability is the ease with which a written text can be understood by the reader. In other words, how easy it is to read an essay and how enjoyable that read is. I'm sure you've read a novel in the past that was quite difficult to read because of its extensive vocabulary. On the other hand, you will find a book much more enjoyable to read when you're not struggling your whole way through deciphering words. The same applies to essays. Examiners focus heavily on your exploration and interpretation of ideas. If you have great ideas, only to overload with vocabulary just look to make yourself look smarter, it's only going to make it harder for your examiner. Just like if you had simplistic ideas and filled your essay with fancy vocabulary, it's not going to make the idea seem any more insightful. See the example below:
Student 1: 'In a plethora of elements gender inequalities prevail over the women of Nigeria.'
Student 2: 'Gender inequalities prevail over women's lives in Nigeria.'
The 'plethora of elements' is just another way of saying 'several aspects'. By trying to use nice vocabulary, this student actually reduced the meaning of their sentence, making it harder for the teacher to understand the student's idea. Remember to keep your essays straightforward, don't drown them with vocabulary that's unnecessary.
2. You seem dumber.
No offence. Writing with bigger words doesn't mean you're smarter. It is very easy to pick up when a student is simply using a thesaurus to find synonyms - because your sentence will look like this: basic basic basic COMPLEX basic basic COMPLEX basic basic. There is a clear discrepancy! Don't use 'utilise' when you can just write 'use'. You seem pompous (no offence, again!). Write clearly and simply if you can, and you’ll be more likely to be thought of as intelligent! This meme below sums up the point very well:
3. You're using it wrong.
Using a similar word is not always the RIGHT word. Let's take the word 'persuade' as an example. We're always trying to find new synonyms for 'persuade' in Language Analysis (and I do have a list for you here). The word 'entice' is by no means similar to the word 'coerce' because of the different connotations they are both associated to. To entice is to persuade through attraction or tempting the reader by offering an advantage, whereas to coerce is to persuade (an unwilling person) to do something by using force or threats. Be wise when you choose synonyms, because they do not carry the exact same meaning as the original word you intended to use!
The conditions of your vocabulary bank should be suited to your specific needs. A focus on a need or theme enables more visible connections within the vocabulary bank. Having those connections will make it easier to 'memorise' new terms. Instead of compiling a dense 20-page glossary, try breaking your vocabulary bank up into smaller, specific sections like 'new verbs'.
Now, let's find new verbs instead of the typical bolded words below to express the author's intention:
- Branch off 'argue' (Fervent tone): contends, asserts, posits, proffers…
- Branch off 'shows' (Neutral tone): demonstrates, exposes, elucidates, delineates, explicates…
- Branch off 'criticises' (Negative tone): condemns, denigrates, lampoons, parodies…
- Branch off 'supports' (Positive tone): praises, endorses, exalts, lauds…
Next, take your new vocabulary from storage to use:
After clarifying their definitions, try using some of your new words in a sentence or a paragraph, relating to either your texts or analysing argument. You can also extend your vocabulary bank by adapting the words to different sentence structures:
Example 1
Original sentence: The author criticises the superficiality of our consumerist culture.
Substitution:Theauthor condemns the superficiality of our consumerist culture.
Adaptation: In a condemnatory tone, the author delineates the ostentation of our consumerist culture.
Example 2
Original sentence: The author argues that gender is an arbitrary concept.
Substitution: The author asserts that gender is an arbitrary concept.
Adaptation: Asserting that gender is an arbitrary concept, the author explicates the categorist nature of human understanding.
Using convoluted expressions can be fun or exasperating! Whilst demonstrating extensive vocabulary may raise your mark, the key is to ensure harmony between your words and your understanding.
Remember: Do not use big words, do not use small words, use the RIGHT words.
The second half of this blog post was written by Joyce Ling.
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If you're not entirely sure what the GAT is, head on over to this blog to find out more about it and why it's important!
[Modified Video Transcription]
What's up?! I got 10/10 on my GAT, so I'm going to tell you how I got perfect marks in Task One of the GAT. I'm also going to share with you my essay so that you know exactly what you need to do when it comes to doing your GAT.
Here's a bit of information you need to know going into Task One, which is basically a Creative piece. Now, I've done a GAT video in the past, which I highly recommend you go and watch, because in that video I teach you essentially what you should be doing for the writing tasks and how you should organise your time in order for you to get the best possible marks in the GAT. No, you don't have to study for the GAT, but if you can do well in it, then you might as well because...you don't know….COVID might come back, you might need a derived score...you know what I mean? You just don't know what's going to happen so you might as well try to do your best and if this video helps you out with that, if you're willing to spend a few minutes doing it and yet bump up your marks heaps, it's definitely going to be worth it for you!
I learned all of my skills from my tutor at the time, who was a VCAA examiner, so this information comes directly to you from an examiner, so, you know, it's legit!
A lot of people get really confused when it comes to Task One because they think that it's just a whole bunch of information that's put in front of them and what they're supposed to do is just regurgitate the information that's there and package it into an essay somehow. But, as I've talked about in my previous video, the way that you do this is to write a Creative piece using the information that's in front of you - just trust me on this.
I know there's a lot of talk back and forth out there about how you should be doing Task One, but you can see (in the comment section of my other video) people who followed through with this Creative method and have done really well. Another reason I like this Creative approach is because it makes things easier for you. In the instructions, it says:
'Develop a piece of writing, presenting the main information in the material. You should not present an argument.’
So really what's left is (if it's not going to be persuasive) it either has to be an Expository, which is just like a normal Text Response essay, or it can be a Creative. A normal Text Response essay is going to be so boring for everyone out there - do a Creative instead! Why?! Because:
‘Your piece will be judged on:
So, what this means is if you're going to do a Text Response version of the information that's in front of you, the only way you can really do that is by regurgitating and just wrapping up similar pieces of information in one paragraph together. I don't know how you would do an Expository well, but if you take a Creative approach, it not only tests your organisational skills but also tests your understanding of the material as well.
What I mean by Creative piece is you can write a letter to the editor, you can write a diary entry, you can write an advertisement, you can write a brochure. There are just so many different types of Creative pieces you could use - the world is your oyster essentially. I'm going to talk you through how I did it for my particular GAT.
This one here is actually a trial GAT. We had an examiner come in and grade our marks for us so it's not my actual GAT, which I don't think you can get back, but it's the closest thing to it, so, we'll work with that.
We did a really old GAT. This is the 2004 (which is ages ago) General Achievement Test. Some of you might've been born around this time! That is nuts!! Anyway, the GAT has not changed over the past 10 or so years, or the past 20 years even, so don't feel like this is information that's not going to be helpful, because every single year it's the same type of instructions with a similar type of information that's given.
Here you can see that I've got an island and there are just bits of information. There's a legend, there's a scale, there are facilities, there is a temperature and a bird's eye view of the island itself.
If you look at this, how are you going to write a Text Response on this? It's going to be boring. So instead, what I did was I said:
'Dear Diary: We arrived in Amaroo Island this afternoon and the view of this place from the plane was amazing!'
When I was in the GAT itself, I would cross out the section (in this case the photo of the island) that I had covered just to see how much information I was able to pack into my piece and know that I wouldn't need to touch it again.
'Magnificent blue water sea, sandy white coast and huge amounts of great green trees! From the airport, we travelled by bus to our hotel where we will be staying for two nights. On the way, we stopped at a historical ruins site. One of the tour guides whom we bumped into told us the ruins have been found to be from 1854! We stayed there for an hour, then caught the bus back again to our hotel. We were extremely excited to explore the hotel and its surroundings, so Dad, Mum, George and I quickly unpacked our luggage and changed for the night. We decided to have dinner at a restaurant which turned out to serve delicious food. After dinner, we explored a shopping centre, galleries and even a museum which is called ‘Maritime Museum’. So many facilities in just one place! That took most of the night and we were all tired from a long day. Tomorrow we will be going swimming and camping outdoors for the night. I'm excited!'
You can see just in this one paragraph I've tried to pack in as much information as I can, but in a way that makes it interesting and fun. You'll notice that with my vocabulary it's not like I am this 50 study score achiever who’s writing exceptionally beautiful language and, I don't know, making this GAT piece something that it's not. I'm just giving them information, having fun with it, making it creative and as a result, I did well!
Alright, let's keep going.
'Dear Diary: Our second day began with the sunshine pouring into our rooms.'
That's just a nod to the temperature. It's not an explicit nod, it's more of an indirect nod.
‘George and I were very eager to go swimming and were pleased to find that the weather for the day was 28°C!'
There's the explicit inclusion of the information.
'I'm glad we came here in January rather than July when we were initially planning to holiday.'
Adding more information without just forcing it down the examiner’s throat.
'Our travel guide booklet states that it’s only a maximum temperature of 15°C! degrees in July! We wouldn't have gone swimming then, that's for sure. Mum and Dad decided that even though there was a safe swimming area near Gali in Gali Bay, we should go to Dolphin Bay and then to Marlin Bay to stay for the night.'
Here I'm just including Gali Bay because I wanted to, but I wanted to also talk about the other bays as well. I'm just trying to be creative in how to include this information. It's all embedded within my storyline so it doesn't feel like I'm spoon feeding my examiner piece after piece of information.
'We caught the bus again to Dolphin Bay and there were many families as there was a caravan park situated right by the bay! How convenient is that! When we were swimming, we could even see the Cape Dolphin lighthouse in the distance. Afterwards, we travelled to Marlin Bay via bus. Marlin Bay is right next to Amaroo National Park, and we've seen some kangaroos and koalas amidst the trees but we're not allowed into the park as it's a marine reserve boundary. Tomorrow we're heading back to Gali Hotel, playing some golf and going riding along the coast!'
I'm pretty much almost done! You see that my essay wasn't actually that long. It was only a page and a half (of handwriting), and yet I still got 10/10. I think it just goes to show how many people out there just don't know how to do a GAT, so you only need to do a fraction better in order for you to do exceptionally well in your GAT scores. To finish off my story:
'Dear Diary: Our final day at Amaroo! We woke up early, had breakfast which Mum cooked up and then headed back home.'
Here I'm also adding in pieces of information that aren't necessarily on the page that's been given to us. I just thought it'd be a nice touch to say this, you know, we woke up early, we had breakfast which Mum made - it just adds to the storytelling.
'We didn't do much during that morning, just had lunch at the Gali restaurant. Afterwards, however, we did lots! We hired bikes from the shopping centre and rode along Gali Bay to Moonlight Bay. It was tiring but the scenery was amazing! We spent most of the afternoon riding but got back to Gali at 4 o'clock and Dad headed out for some golf. George and I decided not to because we were drained from all our exercise already. This is our last night in Gali, I'll be sad to leave Amaroo Island.'
That's it! If you guys want to see how I got 10/10 in my second task. Make sure you leave a comment for me over on Youtube, like the video and I'll get another video/blog out for you guys. Thanks so much for watching (or reading) and I wish you guys all the best for the GAT.
Dear Diary:
We arrived in Amaroo Island this afternoon and the view of this place from the plane was amazing! Magnificent blue water sea, sandy white coast and huge amounts of great green trees! From the airport, we travelled by bus to our hotel where we will be staying for two nights. On the way, we stopped at a historical ruins site. One of the tour guides whom we bumped into told us the ruins have been found to be from 1854! We stayed there for an hour, then caught the bus back again to our hotel. We were extremely excited to explore the hotel and its surroundings, so Dad, Mum, George and I quickly unpacked our luggage and changed for the night. We decided to have dinner at a restaurant which turned out to serve delicious food. After dinner, we explored a shopping centre, galleries and even a museum which is called ‘Maritime Museum’. So many facilities in just one place! That took most of the night and we were all tired from a long day. Tomorrow we will be going swimming and camping outdoors for the night. I'm excited!
Dear Diary:
Our second day began with the sunshine pouring into our rooms. George and I were very eager to go swimming and were pleased to find that the weather for the day was 28°C! I'm glad we came here in January rather than July when we were initially planning to holiday. Our travel guide booklet states that it’s only a maximum temperature of 15°C! degrees in July! We wouldn't have gone swimming then, that's for sure. Mum and Dad decided that even though there was a safe swimming area near Gali in Gali Bay, we should go to Dolphin Bay and then to Marlin Bay to stay for the night. We caught the bus again to Dolphin Bay and there were many families as there was a caravan park situated right by the bay! How convenient is that! When we were swimming, we could even see the Cape Dolphin lighthouse in the distance. Afterwards, we travelled to Marlin Bay via bus. Marlin Bay is right next to Amaroo National Park, and we've seen some kangaroos and koalas amidst the trees but we're not allowed into the park as it's a marine reserve boundary. Tomorrow we're heading back to Gali Hotel, playing some golf and going riding along the coast!
Dear Diary:
Our final day at Amaroo! We woke up early, had breakfast which Mum cooked up and then headed back home. We didn't do much during that morning, just had lunch at the Gali restaurant. Afterwards, however, we did lots! We hired bikes from the shopping centre and rode along Gali Bay to Moonlight Bay. It was tiring but the scenery was amazing! We spent most of the afternoon riding but got back to Gali at 4 o'clock and Dad headed out for some golf. George and I decided not to because we were drained from all our exercise already. This is our last night in Gali, I'll be sad to leave Amaroo Island.
---
If you'd like more help, check out Why the GAT Matters and How To Use It To Your Advantage. It walks you though what's involved, why the GAT matters, the different tasks you'll need to complete and more!
Ahhh school holidays. The perfect two weeks to catch up on homework and forget about the stresses of school. Now, this scenario isn’t what the majority of our school holidays actually look like. For some, school holidays present a challenge whereby we don’t have direct access to our teachers to ask for help and we ultimately find ourselves in a bit of a ‘motivation downslide’.
Personally, the school holidays were a great time for me to go through all the concepts that I found tricky during the term. Yet, I always found myself running into a bit of trouble with what I like to call ‘the procrastination jungle’, especially with English. So, here are a few tips that can help you find some sparks of motivation for when you feel like there is simply no road ahead.
Often the best way to figure out how you’re travelling through the year is to pause, breathe and reflect back (cue Disney’s Mulan, Reflection) on what was a busy and hectic term.
I always found it useful to revisit some of my previous goals that I had set for myself and tick them off if I had accomplished them. For instance, a goal that I had for the start of Term 2 was to ask my teachers more questions about concepts that I was still unsure of. When it came to the Term 2 holidays, I revisited this goal and was able to tick it off which gave me an incredible sense of achievement and reassured me that I was on track to finish the year off with a score that I was going to be super proud of in the end.
You might be asking, ‘what if I haven’t written down any goals throughout the year?’ Not to worry! It is never too late to start contemplating what your objectives are for the year. In fact, use this time now during the start of your holidays as a stepping stone to building up a habit of doing just this. This will help you tremendously in defining your journey towards accomplishing your aspirations and offer you perspective on any improvement areas you may need to address in your subjects.
But, how exactly are you supposed to make goals? Some may say that this process is somewhat ‘tedious’, but I’m here to help take the guesswork out of making, revisiting and addressing your goals using the ‘SMART’ technique:
‘My goal before the end of Term 3 is to have written one English Essay for all of my novels every week and have it marked by my teacher’.
Notice how to the point this is? I’ve mentioned exactly what it is that I want to see completed, by when and the frequency - ‘one essay per week’.
‘My goal before the end of term is to read all four of my novels three times a week, write 10 essays for each novel every week and complete a three-hour practice exam every second day of every week’
Now I know what you’re thinking, anything is possible if you put your mind to it, but writing 10 essays for each novel and completing a three-hour practice exam every week?! Not only is this goal simply not realistic, but what relevance is this goal going to have when you’ll inevitably feel burnt out and tired from writing all those essays!
Pinpointing what you still need to go through and what you’ve already mastered is guaranteed to save you time and effort studying when it comes to SACs and eventually the exam. By doing this, you’ll feel a sense of control and direction when you begin another term, without experiencing the often icky feeling of being lost and unsure.
The way that I went about this was to:
1) Source the study design for each of your subjects (you can do this by going to the VCAA website) and either print them or have them saved onto your desktop.
2) Read through the study design and start to familiarise yourself with the dot points and what you have already covered in class.
3) Go through the study design and, using highlighters or coloured pens, come up with a colour coordinating system. I personally opted for:
4) Link your existing notes to the study design dot points and if you haven’t already covered a particular dot point in your notes, take the time to study and add these in.
If you didn’t believe in magic before then you definitely will with the Pomodoro Technique. I used this method religiously back in Year 12 and still do at University. It involves breaking up your study into bite-size chunks whereby you complete intervals of 50 minutes of study followed by a 10-minute break. After every 3-4 cycles, add in a 20-minute break.
Let’s have a look at an example of my typical morning back in Year 12:
What I love about this is that it enables you to break up the work into manageable pieces so that you focus solely on one task before taking a well-deserved break. This ensures that you don’t burn out from constantly studying without scheduling time for relaxation, recovery and recharge.
How you use your break time is completely up to you. Do anything to take your mind off your work for a few minutes before diving back into your studies!
While it may feel productive to be studying and revisiting content covered in previous terms, there is no understating the importance of taking the time to practice good habits that improve your mental and physical health.
Consider taking your dog for a walk while listening to a few songs along the way, or going to your local swimming pool and doing a few laps! Anything to get your body moving will help to ensure that you break your routine up a little bit and experience something different to the often mundane task of studying and completing work. Maybe also get your friends involved too! You can try organising a volleyball game or whatever activity you are all keen on!
Everyone is sitting somewhere different on the motivation scale. Some may be extremely motivated to reread their texts, write up essay plans, write timed essays, etc. and others may find it difficult to achieve consistent motivation all the time, and that’s okay. To feel motivated all the time is failing to step back and reflect on how far you’ve come as a person in your personal journey.
Often it is when we compare ourselves to others and say ‘but look at how motivated they are’ or ‘they’ve already done so many practice exams and are going to get a really good study score’ that we fall into this trap of finding ‘flaws’ within ourselves. Comparing your diligence and beliefs in terms of your studies to others is only ever going to do you harm. Focus on your own journey and know that it is absolutely necessary to not expect to be motivated to study all the time. It’s simply not realistic.
The powerful verse ‘this too shall pass’ is something I had to always remind myself of back when I was in Year 12. Months and months of SACs, practice exams and feeling burnt out felt like an eternity and it started to impact my own sense of willingness to continue my personal academic journey. If it gives you any reassurance, however, know that one day you’ll look back on this chapter of your life with nothing but memories and perhaps even have a laugh or two at how young you were in your school photos!
1 May 2020, 12:05pm
In Victoria, VCAA are starting to update us on which SACs (particularly practical tasks) need to be completed on-site. No English subjects are really affected by this, mostly subjects with folios or labs, as well as environmental sciences—check here for details (under ‘School-based Assessments’ > ‘Unit 3 Practical Assessments’). The general advice for any of these is that they “must be completed in the school environment that adheres to current social-distancing advice.”
Study designs have also been adjusted for English Language, as well as Biology and all streams of Maths—same link, with info under ‘2020 Adjusted Study Designs’.
In Victoria, schools remain closed, and current distancing restrictions will remain in place until May/11 for certain, even as other states begin lifting their restrictions. This is ahead of a national cabinet meeting on May/8 which will make a call on whether or not to keep going with shutdown. It’ll also take into consideration how many people have downloaded the CovidSafe app, which has spawned its own set of controversies about privacy and government access to our data. It might seem invasive, but consider:
In Victoria, three new cases were recorded overnight. Around the country, even better—for example, SA and WA are reporting zero new cases, and the ACT currently has no active cases at all.
I wouldn’t necessarily say this means the end is in sight—just a shift into the next phase, which seems to revolve around the app. What a cheery thought, I know.
One last controversy to leave you with—the Victorian Deputy Chief Health Officer Dr. Annaliese van Diemen made a tweet on her day off which compared COVID-19 to the British colonisation of Australia:
Conservative politicians have been champing at the bit to jump in with “well, actually…” comments (e.g. “well, actually Cook only charted the East Coast”) and call for her resignation, while the Labor state government has defended her right to make this tweet and express her opinion. Premier Andrews has said: “I've got no comment to make on any member of the public health team other than thank you for the work you are doing because it is making a massive difference.” And so it is.
Maybe this tweet is relevant to the current pandemic, maybe not, but let’s not be defensive about it. Instead, let’s just keep in mind that most of us are in fact not the first Australians who’ve faced something scary and foreign which has completely changed how we live, because most of us aren’t First Australians. Definitely at least food for thought.
1 May 2020, 11:20am
And a very similar kind of chaos happened there as well, with some degree of conflicting state and federal advice; NSW Premier Gladys Berejiklian has implemented complete remote learning until at least May 11 in spite of the federal government’s insistence on reopening.
That said, their start of term 2 has also seen some new issues arise—now, more so than a fortnight ago, people are starting to feel the situation stabilise. The number of new COVID-19 cases is falling and the humdrum of home schooling is starting to get old, which is tempting parents to send kids (especially younger kids) back to school earlier.
This is also complicated by the federal government, which has since adjusted its approach based on initial tensions with Victoria. They are now simply offering private and Catholic schools financial incentives to reopen—in particular a 25% advance on next year’s funding if they have half their students back in classrooms by June 1. There are thousands of eligible schools around the country.
Those who are more adamant about distance learning—including Premier Berejiklian, Premier Palaszczuk of Queensland and Premier Andrews of Victoria—suggest that schools will struggle to cope with more students at the moment. Teachers will be more at risk, and the delivery of at-home learning may be compromised. Also, it would be much harder to shut schools again once reopened, than to just keep them closed until we’re sure.
NSW schools are contemplating staggered returns to school, based on things like alphabets, postcodes, year groups etc. or with limited days of the week delivered in person.
At home, VCAA is running webinars to provide advice for teachers and principals, which ran on April 30 and May 1. As April comes to a close (already—it honestly felt so short), the possibility of reopening schools as well as other sectors soon is feeling within reach, though not without some element of risk.
24 April 2020, 7:40pm
VCAA has spelled out some of the changes that will be happening to Unit 3 of the VCE. Firstly, it has recommended schools delay the end of Unit 3 until Jun/26. This should give more time for everyone to figure out exactly how SACs will be administered or modified, and whether any must be completed on-site. The deadline for schools to submit Unit 3 results has also been pushed back to Oct/12.
As for Unit 4, there is currently a review of whether or not SACs can be reduced.
VCAL dates are also set to change so that it takes place in parallel with VCE, though there won’t be changes to content or assessment.
VCAA has also changed the last day for official enrolment in or withdrawal from VCE Units 3–4 to Jun/8, and from VCE Units 1–2 to Nov/9. This means that Year 11 students will have more flexibility to pick up and change subjects in Semester 2.
In terms of technological support, the Victorian government will be lending out computers and SIM cards via schools, so speaking to school administration is the first port of call. You can also seek assistance from State Schools’ Relief.
Finally, VCAA is also trying to support teachers by opening up new communication channels where they can seek more focused and detailed information from experts. I’m not too clear what information is being made available, but this is what they’ve written about it:
“F–10 and senior secondary teachers may access two new interactive communication channels from 27 April 2020. These will enable teachers to ask questions and receive answers in real time from our subject matter experts across the organisation.”
23 April 2020, 10:51am
At this stage, Victorian schools do seem to be operating remotely by default. There was some confusion earlier in the week among teachers and parents, but things seem to be settling down for now. Bearing in mind that many teachers spent the holidays adjusting and reworking lessons for online learning, their frustration is probably understandable in this light.
There still isn’t a consistent national framework for how schools should operate in the medium- to long-term though. For example, Queensland schools are only mandating 5 weeks of remote learning for now, though also making sure that essential workers’ kids can still attend school in-person and making SIM cards and laptops available for students who need them.
The Victorian Department of Education has provided learning from home advice for students and parents, translated into a number of languages. One new tidbit in there is that small groups of students who need to gather and complete learning requirements on-site will be permitted to do so. I can’t imagine a lot of requirements falling under this umbrella, but this will be up to individual schools to provide.
17 April 2020, 10:12am
If you're curious about what tutoring with LSG entails, and would like to get to know a tutor a little bit better, this video is for you! Lisa recently sat down with Sarah, one of LSG's amazing tutors, and they spoke about the life of a tutor, various tutoring experiences, and even what it's like to conduct tutoring online.
11 April 2020, 10:41am
There’s been a bit of conflicting advice from higher up, unfortunately. While state government has indicated that government schools will shift to remote learning in Term 2, the federal (national) government has other ideas.
On Apr/9, education minister Dan Tehan asked that independent and Catholic schools keep classroom learning available at the risk of losing federal funding. This is especially confusing for Victorians, as the state government has been decisive in implementing a remote Term 2 for government schools.
It’s a tricky scenario because the federal government funds independent and Catholic schools, while the state government runs government schools.
It’s definitely ok to feel frustrated by this—Independent Schools Victoria chief executive Michelle Green has described this as an “impossible situation…caught between conflicting advice from state and federal authorities.”
The federal government reasons that children of essential frontline workers need a classroom option, and they may not have any other choice because of their parents’ employment. However, the Prime Minister has also said that it is up to states and territories to make those decisions about what exactly will happen in schools.
We expect more clarification on this over the long weekend and the days to follow.
10 April 2020, 8:50pm
So what exactly is going on with this right now?
Schools are reopening after Easter but they will operate remotely for Term 2. It will be announced later if this extends to Term 3 or not.
Year 12 students will receive an ATAR for work completed in 2020. The GAT will be held in October or November instead of June; exams are postponed to December at the earliest. Exams may be modified or shortened, but nothing has been announced for certain yet. There are Plan-Bs to either delay exams further if needed, or derive ATARs from your GAT.
However, entry to tertiary study shouldn’t be affected—there’s usually a big window between VCE exams and the start of uni anyway, and government is in dialogue with universities about pushing back the start of 2021 if needed. Admissions processes may look different depending on the extent to which exams are affected, but universities are committed to being fair, consistent and transparent. There may also be catch-up, foundation or bridging classes in your first year.
If you don’t have the technology to learn remotely, the government will be loaning out 4,000 SIM cards and 6,000 laptops. They will also be working with Food Bank to make sure students who need breakfast clubs and lunches get it. Transportation services (school buses, disability transport and metro) will run as usual.
I’m feeling really iffy about some of this…
You’re not alone. Many people, students among them, are encountering all kinds of challenges with the changes that have been happening, and there is no shame in feeling powerless or in need of some extra resources in this time.
If you or your family are experiencing financial hardship, you may be eligible for Youth Allowance or JobKeeper payments. There are also support grants for artists and creatives, as well as rental protections if you or your family are renters.
If you are experiencing family issues, Legal Aid Victoria has resources available.
If your mental health has been affected, you can contact:
1300 224 636
1800 650 890
1800 551 800
If you need any support for VCE or schoolwork, we’ll have plenty of content on our blog and YouTube channel to help you address any concerns. We also have a team of experienced tutors available for online tutoring.
Maybe that covers all the bases, but chances are it doesn’t—individual circumstances are really different right now, and circumstances across society are constantly in flux.
Beyond your personal circumstances, you might also be feeling a little iffy about the increased policing, or the exclusion of migrant workers from wage protection.
Could there be any alternatives to policing, maybe some sort of community-based delivery service to ensure that society’s most vulnerable remain well-resourced? And is the government obliged to protect the wages of not only Australian citizens, but Australian taxpayers as well (anybody who lives in Australia is an Australian taxpayer).
A lot to think about if you haven’t done your Oral Presentation yet…
10 April 2020, 11:20am
Across the state, students and teachers are transitioning to learning remotely — and it hasn't been exactly easy. There are a few things that you can do to ensure that your education isn't compromised and remains at a high standard. To hear more about these strategies, check out the blog post created by my fellow tutor, Angie, here.
Learning remotely means that many students of all ages are worried about how they'll be able to access tailored support from teachers busy with adapting their teaching methods and lesson plans who are often unable to give students the one-on-one attention they deserve due to this pandemic. Well, Lisa's Study Guides' online private tutoring service connects students with experienced tutors who scored in the top 9% or better in their recent completion of VCE. To learn more about how we can work with you to empower you to take control of your learning, head over to our information page here.
Lisa has also created a video talking about what online tutoring entails. Be sure to check it out below to learn more!
10 April 2020, 9:26am
You might’ve heard the term ‘economic stimulus package’ being tossed around. This refers to when the government borrows money (i.e. increases government debt) and essentially gives it to people so that ‘business as usual’ isn’t disrupted, even when our jobs and our social lives might be. Even if you no longer have a source of income, government payments can now be spent on supplies which keep you alive, keep those businesses afloat, and keep their workers employed. Without any stimulus, the economic consequences of COVID-19 would be far more widespread.
Prime Minister Scott Morrison has put in place a range of economic stimuli which play a big part in flattening the curve. This has included wage guarantees (JobSeeker/JobKeeper payments) that look a lot like universal basic income—everyone* who is now out of work receives an equal, regular payment from the government that covers their basic needs.
Policies like this allow everyone*, no matter their income level beforehand, to get by and stay at home without needing to find a new job while it’s dangerous (and illegal) to go outside.
Australia has adopted similar policies before—the then-Labor government introduced economic stimuli during the financial crisis of 2009—but Scott Morrison was a vocal critic back then.
Finally, even though Australia’s response to COVID-19 appears to be working well, there are two big challenges coming up. One is Easter, a long weekend where people traditionally go out. This time, they’re being warned to stay home.
Another is the start of Term 2, when over a million Victorian students would usually be on the move. The transition to remote learning will prevent this in a bid to continue flattening the COVID-19 curve.
*everyone who is eligible—which currently doesn’t include temporary visa holders, many casual workers, people in arts and entertainment, charities etc.
8 April 2020, 1:45pm
As of Wednesday April 8, we’ve seen 5,844 cases of COVID-19 across the country, with 1,212 of those in Victoria, where 60,000 tests have been administered. Among these:
• 12 have passed away
• 45 are in hospital, including 12 in intensive care
• 101 seem to be the result of community transmission
• 736 have recovered
In order to control the rate of the outbreak, Victorian Premier Daniel Andrews has introduced a range of regulations which promote social distancing. These have been increasingly restrictive, from closing down non-essential businesses and limiting the size of public gatherings to stay-at-home rules that are now enforceable—you might’ve heard of these as “stage 3 restrictions”.
As part of these restrictions, you may only legally leave the house for four reasons:
• Getting food and supplies
• Seeking medical care
• Exercise (that doesn’t involve groups of more than 2 people)
• Work and study (where remote options are unavailable)
There are also on-the-spot fines of $1,652 for anyone caught in breach of these restrictions, and as many as 114 such fines have been issued in a single day. Since March 21, Victorian police have conducted 16,039 spot checks in homes and non-essential businesses. People have been fined for having mates over for dinner parties, a cheeky video game sesh, even hanging out in the park.
At this stage though, there are signs that these restrictions may be paying off, and that Australia is ‘flattening the curve’ compared to other countries, especially other Western democracies such as the US (which now leads the world in COVID-19 cases) and the UK (where the Prime Minister has contracted the virus). ‘Flattening the curve’ basically means new cases are growing at a slower rate (a ‘flat’ increase) rather than at an exponential rate (a sharper increase).
7 April 2020, 5:35pm
Right now, there's so much uncertainty and everyone has the right to be anxious. For the VCE, this is no different – it's ok for us to be unsure and worried about what'll happen with our study scores and ATARs. So, to put your minds at ease, Lisa (the founder of Lisa's Study Guides) recently created a video talking about what the coronavirus means for the VCE in 2020. Check it out below...
7 April 2020, 12:00pm
You’ve heard of Love in the Time of Cholera; now get ready for VCE in the time of coronavirus. As far as we know, the VCE is indeed still on, and if you’re currently in Year 12, it looks like you’ll be on track to graduate at the end of 2020 as per usual.
Yep. VCAA has allowed schools to administer SACs either remotely, or delay them to whenever in-person classes resume. Your school will make its own decisions on how you’ll actually be taking SACs—if you have personal access requirements or need for special provisions, speaking to them would be the best avenue. Same goes for how schools actually deliver the content—it’s all pretty flexible at the moment.
On the one hand, VCAA seems to be raising the option of delaying SACs until school resumes pretty strongly. On the other, they’re suggesting that online SACs should be delivered as normally as possible if schools can’t accommodate a delay. This means that, just like on a real SAC, there’ll be limited time and potentially limited access to resources as well.
They’re also reminding us that even if SACs go online, your actual, numerical results are less important than your “correct ranking”. To determine this, individual schools are being advised to ‘validate’ remote SAC results with classroom-based assessments when they return. You may well get the best of both worlds.
In general though, everyone is in the same boat for now, and concerns around this are widespread (and valid!). Do the best you can, and your effort will be reflected in your ranking at the end of it all. Don’t forget that SAC scores also get moderated by VCAA at the end of the year.
Yes, and they’ll still be calculated the same way (from assessments, statistical moderation, and study scores). Remember that study scores and ATARs are also rankings, and everyone is going through this together; everyone is doing/can only do the best they can under the circumstances.
As things change, VCAA will also keep everyone updated on whether or not key dates change. This may include things like:
They will also be “provid[ing] advice for schools every Monday from the start of Term 2”, so everyone will move at the same pace in these strange and difficult times.
COVID-19 is certainly unprecedented. The necessity of social distancing brings its fair share of challenges, and we’re all adapting as much as we can. At Lisa’s Study Guides, we’re doing our part by moving all our lessons online; it’s been an option that our tutors have worked with for years, and it’s just become a necessity now to minimise risk across the community.
There’ll still be online resources available though, both with your teachers and with us—please reach out if you need anything.
And there’ll be other challenges too, like having your co-curriculars and general social life going under for a little while. Make time for your hobbies where you can, and keep in touch with your friends as much as possible.
That’s a really great question—2020 is barely happening as it is, so it’s definitely normal to be anxious about the future, and whether or not you’ll feel prepared to return to life again in 2021 while also navigating the whole new world of university.
To be honest, we think you’ll be more prepared than most. University challenges most students to be more independent and self-reliant than they’ve ever been before—it’s a place where you have to choose to turn up, and actively stay on top of everything with less contact and support. You’ll come out of 2020 already having faced many of these challenges (and this’ll prepare you for life beyond uni too!).
And who knows how this will shape education going forward! It’s given everyone—not just you, but also your teachers, parents and principals—a bit of an awakening with regard to technology. Classrooms may never look the same again, even when we do go back.
For now, take it one day at a time. Stay at home when required, build routine in when possible, and do the best you can. If you need to access support services, try the following:
HELPLINE: 1300 22 4636
HELPLINE: 1800 650 890
HELPLINE: 1800 551 800
More information on VCAA and how VCE will proceed can be found at these links. Expect them to be updated periodically.
VCAA - latest news on Novel Coronavirus
Education Department - Coronavirus
6 April 2020, 12:40pm
Hello! My name’s Mark, and I’ve been a tutor and content creator with LSG for about 3 years now. Because of the highly volatile nature of the COVID-19 pandemic, there have been a couple of changes to how we operate. One of those is this newsfeed, which I’ll be using to provide regular updates on any changes to VCE, education or the state of the virus more broadly.
We’ll also be implementing a chatbot on Facebook Messenger where you can ask for help more directly. This follows a broader movement across the education sector towards remote learning, which all of our tutors are currently practicing.
The coronavirus has undoubtedly impacted VCE and secondary education. What we know so far:
• The VCE is going ahead this year, though not without major changes. Year 12 students will receive an ATAR for study undertaken in 2020.
• Schools are free to either delay SACs until in-person classes resume, or administer them remotely in the meantime. VCAA’s official advice either way has been that SACs should be administered as ‘normally’ as possible, with restrictions on time and access to resources even if you get to do the SAC at home. Schools are encouraged to keep up regular assessments even if delays are being considered.
• Schools also have the option of ‘validating’ SACs conducted remotely with more in-person assessments when classes resume.
• The commencement of term 2 for government schools has been pushed back to April 15.
• However, all of term 2 will be administered remotely (unless this is absolutely not possible).
• The General Achievement Test (GAT) will be delayed until October or November. Year 12 exams will also be delayed, most likely to December.
Watch this space for more details on these changes, as well as any new updates as they develop. In the meantime, if you’re feeling stressed and want some tips on how to manage remote learning, check out our earlier blog post here, or video here.
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